About me:

I am an Anglo-Indian, London-based Theatre Director who has been working professionally since 2017. I specialise in dramaturgy, audience participation and theatre for impactful social change. My work is fiercely political, addressing systemic and policy change (drawing from my politics degree and over a decade’s experience in the charity sector). I have a passion for work that deconstructs, challenges and reimagines traditional forms of theatre. In this respect, my work utilises the endless possibilities that theatre offers.

I have trained under Mike Alfreds, author of ‘Different Every Night’ and as part of the Young Vic Springboard programme.

Most recently, I was shortlisted for Sir Peter Hall’s Directors Award 2025, and I am the recipient of Arts Council DYCP Round 22.

I am Co-Founder and Co-Artistic Director for the playable political theatre company, Hidden Track Theatre, having directed all their shows and an online game, including the multi-award-winning show ‘Standard:Elite, which was awarded seven 5* reviews and won Best New Writing (Greater Manchester Fringe) and Best Newcomer (Brighton Fringe)

I am a Script Reader for Theatre 503 and The Bruntwood Prize 2025

I also contributed to Metamodernism in Contemporary British Theatre’, written by Dr Tom Drayton, and served as an EVOLVE Resident Artist at Oxford Playhouse (2018).

Reviews and Audience Feedback

STANDARD:ELITE

'Hidden Track has created an accessible and playful discourse around the prevalence of class and discrimination in our society: this will continue to be a must-see at the Fringe for as long as that remains.'  Broadway Baby *****

'Inventive and mould-breaking political satire' Fringe Biscuit *****

'Alternately playful & sinister, Standard Elite is consistently entertaining' Broadway World *****

THE COST OF EVERYTHING

‘The Cost of Everything has been carefully crafted with ingenuity to create a piece of interactive theatre that is genuinely equal parts informative, surprising and hilarious.’ Westendbestfriend *****

DRAWING THE LINE

'Marvellous, marvellous, marvellous. I just loved it. So real and true.' Audience member